Mexican-America as well as Chicano theatre preserved much of their roots in the midst of colonization by European colonists. This consisted of the arts, including painting, sculptures, music, cuisine, and theatre. Most early Mexican-American theatre was very much so biblical, and consequently portrayed biblical stories, tales,etc. Priests were often the actors in these productions, which were primarily showcased during holidays such as Christmas, or Easter. The structure of the play has shifted over time, however, the incorporation of music within storytelling has been immobile and remains an integral part of Mex-American theatre.During The Great Depression, Mexican-Americn theatre picked up steam and demanded professionals to the art, and these troupes often toured, performing across the United States. Chicano theatre developed in the late 20th century, and often portrayed the struggle Mexican-American farm-workers faced. This shift in plays producing and focusing more on cultural consciousness and politics set a precedent in Mexican-American theatre that is still incorporated in productions. Slightly varied from Mexican theatre, Puerto Rican theatre had a difficult time taking root due to political roadblocks. Writers were unable to express themselves under the glare of the government. Much like Mexican-American theatre, Puerto Rican theatre expressed the day-tp-day struggles of life and Latinidad within the community.